The 2013 Oscars Recap. Jinni Style.February 25th, 2013 by Uri
So, the Awards season has come and gone, leaving us with some smiling faces holding golden statues; and now it’s time for a quick recap of the major categories and trends.
Best Film - “Don’t Go Fully Period”
Dealing with state affairs and basing your film on a true story are good starting points on your journey towards the coveted golden bald man, but know this: you better not stray too far into history, since in the last ten years, no best picture winner took place in a time earlier than the 20th century. covering these three points and adding a topical touch by dealing with Iran, it’s no wonder Argo took home the big prize (portraying Hollywood producers as life savers probably didn’t hurt either.)
Best Director – 3D, Done Right, For A Change
Granted, Life of Pi isn’t as groundbreaking as Avatar, nevertheless, it is the first 3D film to win an Oscar for direction, and a much deserved one, since Ang Lee and cinematographer Claudio Miranda (who also won an Oscar for his work on this film) managed to create one of the most elegant and visually mesmerizing films in recent memory.
Best Screenplay – Festive Fifty
Quentin Tarantino celebrates half a century next month, so the academy for motion picture arts and sciences decided to give him an early birthday gift for Django Unchained’s controversial screenplay. The fact that it’s also his biggest blockbuster to date probably helped as well.
Best Actor - The Sure Thing
In the words of the great, incarcerated Wesley Snipes
Best Actress - Life imitates Art (or at least imitates SNL)
It’s almost impossible to win when you’re not acting in a serious film, and we’re not talking just about gross out comedies, even semi serious films are usually shunned. However, playing a troubled, or better yet, mentally unstable character can greatly improve your chances. No wonder Jennifer Lawrence was so convincing in this Saturday Night Live sketch.
Best Supporting Actress - The Other Sure Thing
The old age maxim, that in order to win an Oscar for acting you’ve got to play a suffering character (and preferably while degrading your physical appearance,) worked well for Anne Hathaway. In fact, it looked so calculated and worked so well it even spawned a pre-Oscar parody (and hats off to you, Emma Fitzpatrick.)
Best Supporting Actor – A New Winning Formula
Christoph Waltz + Racism = Oscar Winner? Yes, it does sound far fetched, but it has already proven itself three years ago in Inglorious Basterds and again this year in Django Unchained. It looks like the Tarantino/Waltz duo should brush up on their Anti-Samoan racial slur skills for the 2016 Academy Awards. To be honest, how can he lose with such a great theme song (lifted from a little known Spaghetti Western from 1971)?
Best Animated Film – Pixar’s Home Advantage
In what has become an inner Disney Derby between Brave and Wreck-It Ralph, the red headed young heroine had the upper hand, since in the last ten years the only Pixar produced films not to win an Oscar where the mediocre Cars and Cars 2.
Best Documentary – Odd (Sugar) Man Out
Being the only one of the five nominated films to not deal with a social issue, but rather chronicle the quest for finding a presumably dead legendary musician, Searching For Sugar Man won the thing that eluded it’s hero – real time acclaim and recognition.
That’s all for these Oscars, folks; we’ll leave you with this year’s wistful Animated Short winner:
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Technorati Tags: Oscars, Awards season, Argo, Life of Pi, Avatar, 3D, Ang Lee, Claudio Miranda, Quentin Tarantino, Django Unchained, Daniel Day-Lewis, Jennifer Lawrence, Anne Hathaway, Christoph Waltz, Inglorious Basterds, Pixar, Disney, Brave, Wreck-It Ralph, Cars, Cars 2, Searching For Sugar Man
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